an elemental year: Sashiko

This piece was originally written as a ‘monk in the world’ piece for Abbey of the Arts here.

I am currently spending a year exploring the elements in the company of the Kinship Photography Collective.  My practice group (a special mix of people who are able to meet on zoom during the day in the U.S. and Canada so I can join with them here in the U.K.) are exploring each element by paying attention to the land-based calendar of the Celtic Wheel.  Thanks to the cultural background of one of our members, we are also able to compare and contrast this northern-hemisphere/white/western-based spiritual ecology with the Lakota Medicine Wheel, a moon-based seasonal understanding of the elements as teachers of certain human characteristics, or ‘spirits’.  We are then exploring how this might expand our somatic understanding of contemplative photography with the more-than-human world. Artistically, I am stepping way out of my comfort zone, since the group is encouraging me to make grids of my subjects, experimenting with how pattern, rhythm, movement and repetition might inform my understanding of the season of air (Spring Equinox/Beltane/Pentecost).  

Since I am also a poet, I am bringing the photographs I make into an ekphrastic dialogue, hoping that together, the words and images become more than the sum of their parts.  This image brought to mind the practice of slow stitching, and in particular, the fine art of Sashiko: a distinctive zen-based method of embroidery used to repair, strengthen and decorate a new textile from worn materials, traditionally creating complex white stitched designs onto an indigo ground.

air viii (‘sashiko’)

(29.5.25)

in the ground of my beseeching

I stitch a quilt of indigo cloud

bind tight the found-made rags

those torn shreds of holiness

fluttering surrender at the scelra.

it quivers a praying connection 

into being

weaves shredded nerves 

into synapsed patterns

expels my body’s breath 

into miasma.

it blinds

and flits

and settles again:

the ancient rhythm,

that rising, that falling,

it directs the contrapunctuated

marks of my needle

and slowly, gathers each corner

of my vestigial attention 

into folds.

it restores the spaces between

patches anew beyond the shadows

beneath the tucks of bone-deep knowing

and finally, reinforces my quotidian function

as mere receptor of the one great

gift.

Published by Kate Kennington Steer

writer, photographer and visual artist

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